#Volunteer Spotlight : Goodman + Steppenwolf - @GoodmanTheatre + @SteppenwolfThtr
It would be an understatement to say that Chicago is one of the best theatre cities in the world. Behind New York, our Windy City boasts some of the greatest stages and best performances.
As every great story goes, there are two theatres that drive the city to the national spotlight. It’s like Romeo and Juliet, Simba and Scar, Jean Valjean and Javert, Elphaba and Glinda, Hamilton and Burr...I’m running out of theatre references. What I mean to say is that there is almost a tale of two cities (yes, pun intended) that has unfolded here in Chicago.
On one hand, you have you have the Goodman. On the other is the Steppenwolf.
I apologize in advance as the rest of this post has sweeping generalities which aren’t true for either organization. These are intended to give a pretty honest distinction between both incredible theatres.
The Goodman Theatre
A historic theatre founded in the 20s, it sits majestically in the middle of downtown. Christmas-time brings an annual tradition of A Christmas Carol. Patrons will (stereo)typically dine at a steakhouse and come over dressed up, ready to see a BIG show.
Lights, sets, music...it’s not quite a Broadway spectacle, but it’s close. It’s colorful and fresh, but still with the sensibilities to not offend the more conservative crowd. Don’t get me wrong, the shows are incredible, the production is supreme and it’s truly a crown gem of our theatre scene.
The Steppenwolf Theatre
Just the name sounds rebellious and tough- and it fits that bill. It’s a teenager compared to Goodman. Founded in the 70s by Gary Sinese (yup, Capt’n Dan), Jeff Perry (Scandal), and Terry Kinney (Oz). It’s has quickly grown into a powerhouse.
And since I’m name dropping, you will recognize other ensemble members that cut their teeth on that Steppenwolf stage and went on to make it “big”. Who? John Mahoney (Frasier), John Malkovich (everything), Laurie Metcalf (Roseanne), Amy Morton, Martha Plimpton (Goonies, Parenthood), Tracy Letts (Homeland), Gary Cole (Veep, Office Space)....
The theatre is in a hip neighborhood, where patrons are more likely to have tattoos, piercings and ripped jeans. The work is usually dark, edgy and avante garde.
So why mention these two theatres together?
Because for all their differences, their commitment to their community is astounding. Both theatres have significant and exclusive boards that raise money and awareness not only for the theatre, but for outreach efforts.
I’ve had the pleasure of serving on boards at both theatres and was thoroughly impressed by their incredible ability to create positive change in Chicago.
Tom, do you want to make some sweeping stereotypes about the type of support?
Sure.
Goodman has traditionally focused more on financial support - they have almost limitless ability to raise tens and hundreds of thousands of dollars in a single event and pass these proceeds to several education and creative organizations around the city. Recently they launched their newest effort to educate Chicago youth and promoting lifelong learning. Programs are offered year-round and free of charge. Eighty-five percent of the Goodman’s youth program participants come from underserved communities.
Steppenwolf has equally as powerful supporters, but from their inception has focus on time and talent rather than treasure. For over 30 years, Steppenwolf Education has created world class programming that speaks to the teen identity. Through the dedication of their artists, educators, young adult council members, and community partners, youth find voice to tell their own stories and strengthen their communities in indelible ways. Steppenwolf has productions and programs that are specifically geared to teachers, young adults and families. Through their nationally recognized Steppenwolf for Young Adults (SYA) performance series, they present professional productions of established plays, original adaptations of novels and new works for audiences of all ages.
The arts are an important part of a vibrant city, but with that work comes a responsibility to give back to the community. Both of these theatres have mastered the ability to not only put on world-class performances, but to support the youth of Chicago. Take a bow, you deserve it!